cow dung

where to find me

my brain is magical and I crap rainbows.

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18 pages

23silence:

Gustav Wertheimer (1847-1904) - The kiss of the siren

darksilenceinsuburbia:

Bill Shaffer. Open 24 Hours, 2007. Pastel, 13 x 18”.

cavetocanvas:

Jan Lievens, Study of an Old Man, c. 1630

theonlymagicleftisart:

(Tobias Kwan)

yama-bato:

John Gossage Wihelmstr. 1988 | Gelatin silver print | 22 x 18 in. Signed, dated and annotated “Berlin” on print verso. Repr. p. 281 in “Berlin in the Time of the Wall”

russianavantgarde:

Ivan Leonidov, 1927

angrywhistler:

Aron Demetz

regardintemporel:

Sergueï Yurkévitch - Shadow, Leningrad, 1981

cavetocanvas:

Yves Klein, Leap Into The Void, 1960
From the Heilbrunn Timeline of Art History:

As in his carefully choreographed paintings in which he used nude female models dipped in blue paint as paintbrushes, Klein’s photomontage paradoxically creates the impression of freedom and abandon through a highly contrived process. In October 1960, the American photographer Harry Shunk made a series of pictures re-creating a jump from a second-floor window that the artist claimed to have executed earlier in the year; the figure and the surrounding scene were then collaged together and rephotographed to create its “documentary” appearance. To complete the illusion that the event had actually taken place, Klein distributed a fake broadsheet at Parisian newsstands commemorating it. It was in this mass-produced form that the artist’s seminal gesture was communicated to the public and also notably to the Vienna Actionists.

quesofrito:

Mike Kelley, untitled drawing, 1976

theme made by Max davis